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Wir sagen danke an über 140 Artists, die uns bis hier her mit Geschwindigkeiten zwischen 91und 160 bpm begleitet haben. Sie sorgten für 12 Compilations, 11 Alben, 33 EPs und 40 Singles. Sie brachten uns in 19 Genres und hielten uns 451 Tage in den Charts. Alle hätten es verdient, auf unserer einhundertsten Veröffentlichung, verewigt zu werden. Wir mussten uns aber entscheiden und das fiel uns sehr schwer. Auch deshalb gibt es zwei Jubiläums ausgaben, die innerhalb eines Monates erscheinen werden. Das es Remixe von dem Titel „Tanzen“ von „Mike S. und 1zimmerapartment“ sein werden, war eine leichte Entscheidung. Es ist aktuell unser erfolgreichstes Release mit einem starken Statement.

Die Remixe für Part 1 kommen von „dudelsaladt, Noah Levin, Jertecs, dj airBuss und Oida Holz“.

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Wir sagen danke an über 140 Artists, die uns bis hier her mit Geschwindigkeiten zwischen 91und 160 bpm begleitet haben. Sie sorgten für 12 Compilations, 11 Alben, 33 EPs und 40 Singles. Sie brachten uns in 19 Genres und hielten uns 451 Tage in den Charts. Alle hätten es verdient, auf unserer einhundertsten Veröffentlichung, verewigt zu werden. Wir mussten uns aber entscheiden und das fiel uns sehr schwer. Auch deshalb gibt es zwei Jubiläums ausgaben, die innerhalb eines Monates erscheinen werden. Das es Remixe von dem Titel „Tanzen“ von „Mike S. und 1zimmerapartment“ sein werden, war eine leichte Entscheidung. Es ist aktuell unser erfolgreichstes Release mit einem starken Statement.

Die Remixe für Part 2 kommen von „dj airBuss, Tomtron, Barry Coleman, Noah Levin, Ariyam und Mile Diskovic“.

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Evosonic Records presents the remixes of „The Storms“, the successful track (EvoRec066) by Noxious Element and Dean Pasch, whose distinctive voice was also heard on „The Night“ (EvoRec059). The guys designed their track as an energetic techno piece in Peak Time / Driving style. Remixers „DeTrop“ and „NOX“ made the song even more casual and positive than it already is. „Oliver Kraus aka Noxious Element“ takes the speed out of the track in his „5bft Edit“, but that doesn’t hurt at all. The remix of „Chris Maico Schmidt & Noah Levin“, which was already released with the original, gives as remaster on top. A must for every techno lover and another highlight from Evosonic. A big thank you also to neuroflash.com. With their AI this text was created. Once again it was a great help for me.

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Step closer! The remixes from the cold, horny ice part are here. There’s something for every taste. Poolboy invites again and everyone eats „Wassereis“.

Imagine the sun shining, an open-air swimming pool echoing from the distance, the summer air so thick that birdsong seems to be smothered in it. Out of this sweaty experience of the seasons culminates only a heartfelt desire: The remixes of „Wassereis“. From Oida Holz the uncompromising hard techno version, Anastasia Belosova makes of it what she likes. Label boss Chris Maico Schmidt gives us 2 remixes. One ala Deichkind and a fine one for the breaks department. Both of them are likely to be hits.

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Three typical remixes by Chris Maico Schmidt, percussion drive them forward, effects when you don’t expect them, breaks when they have to be, basslines that are also close to Psy Trance. Very unique, the original but always in focus.

It’s been a long time since the Boss produced for his label. Then right away three remixes of Anastasia Belosova’s releases, which appeared for the first time on Evosonic Records in 2020. Now let me tell you something. The originals are from 2014, the remixes were made a year after. It took 6 years to release them. Sometimes they were not up to date, sometimes the originals were too hard, sometimes too fast. Then the remixes were too close to trance and too soft. Then nobody wanted them. In between, they disappeared, were forgotten, then reappeared. In 2020 the game of hiding was over for the originals, now and today they gave the way for the remixes. Better late than never.

The long-awaited remixes of Milky Way are here. Awiy Disco’s sensational entry on Evosonic Records in September 2020 (Evo040) is reinterpreted here by three different players. Ludwig Buez, who reached #1 on the most played tracks in 2020 on Evosonic Radio with his track Nibel, shows why with his remix here. Almost a given in 2021, Oida Holz delivers another remix that shoots Milky Way into techno heaven. Evosonic radio artist and City of Drums host Tom La Mer lays down a beautiful version for the friends of deep house. Successful package, that’s how remixes have to be.

Born in Ukraine in 1983, ANASTASIA BELOSOVA aka DIE HEX, moved to Germany in 1999. Here she quickly discovered the „Tor 3“ and the „Poison Club“ in Düsseldorf, there her love for techno. In search of more input, she ended up at the „Vibra School of DJing“ in Cologne. At the accredited music school, she learned the technical craft and how to perform. She developed her own style and individual artistic interpretation of electronic music. DIE HEX prefers unconventional, hard, groovy techno beats to this day.
Since 2007, she has also been implementing her musical experiences with a love of experimentation in her own music productions and remixes. Gate 1 is perhaps the „lightest“ of her productions, but pushes forward as usual. As if that wasn’t enough, she also brings Rob Acid aka Robert Babicz on board. He delivered two remixes at once, expressing his style on both, but not influencing the soul of Gate 1.

The Greek philosopher Aristotle described friendship as „one soul in two bodies“ and in German the terms „Freundschaft“ and „Verwandtschaft“ were used synonymously until the 17th century. Welcome and many thanks to: BluFin Records, Yellow Tale, Jackfruit Recordings, noreira records, A-Site Records, Form & Terra, MixCult Records, Harthouse Mannheim, Plastic City and Plastic City Suburbia, Emerald & Doreen and last but not least City of Drums. Also this year it was not easy to create a mix from the 12 titles of different genres. In fact, it was so difficult that in the second attempt Space Mountain by Dompe lost its place in the Continuous Mix by Martin Vitzthum. Sorry for this, but this is the only way to make sure that I can maintain my current position: Sensational mix, dear Martin.

When Barbaros asks you to dance, it always becomes especially groovy, and when the title is called Fate and appears in 2020, it takes on an almost prophetic character. With an accentuated house groove and full basses miKech (LikeThatUnderground) starts the evening. He skilfully stages the central elements of the original, which in combination with the fresh groove will result in a completely new listening experience and will surely be found in many sets. Cie (Form&Terra) approaches the remix with his usual unagitated and stylish signature. Here you can get the impression of listening to a completely new track, but the parallels to the original are always present and set the mood. Mar io’s remix takes a straightforward approach to the theme, here the peak time is clearly targeted and the kick sets the tone. The remix takes up the energy of the original and makes sure that the journey remains entertaining and always concentrates on the essential.

I know from a reliable source that Chris Maico Schmidt had at least 5 (!) attempts until he said, „Yes, that’s it“. From a similar reliable source, I also know that Andy Baar, more often had doubts until he said, „Yes, that’s it!“ If there are still people who do not regularly listen to Evosonic Records, they might ask, why are the 2 remixers doing so? The answer would be: „Listen more Evosonic Records or especially the sensational original (EvoRec 031), then you know“.